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Portrait of Lucas Singer. The bass smiles directly at the camera while resting his folded arms on the back of a light wooden chair. He wears a light grey blazer over a light blue shirt. His dark hair is cut short, and he has a neatly trimmed full beard. The background is light blue and uncluttered.

vita

Bass Lucas Singer has been a member of the Cologne Opera ensemble for many years, where he has built an extensive repertoire over recent seasons. His roles there have included Sarastro in "Die Zauberflöte", the Hermit in "Der Freischütz", Publio in "La clemenza di Tito", Zuniga in "Carmen", Biterolf in "Tannhäuser", Masetto in "Don Giovanni", Timur in "Turandot", Pistola in "Falstaff", and Death / Loudspeaker in Viktor Ullmann’s "Der Kaiser von Atlantis". He has also appeared in Bernd Alois Zimmermann’s "Die Soldaten", Benjamin Britten’s "Peter Grimes", Orff’s "Die Kluge", and Beethoven’s "Fidelio".

Lucas Singer began his career in the International Opera Studio of Cologne Opera and joined the permanent ensemble in the 14/15 season.

In recent years, he has made successful debuts at Staatstheater Karlsruhe, Nationaltheater Mannheim, Theater Kiel, Landestheater Coburg, Theater Basel, and Komische Oper Berlin.

Alongside his stage career, Lucas Singer maintains an active concert schedule, documented by recordings including J. S. Bach’s Mass in B minor on the Spektral label and sacred works by Otto Nicolai released by Carus. His repertoire ranges from Renaissance vocal music to the great Romantic oratorios. Concert tours and guest performances have taken the bass to the United States and Central America. He is also a passionate interpreter of the art song repertoire and regularly presents recital programmes dedicated to this genre.

At Cologne Opera, he has performed roles including Sarastro in Mozart’s "Die Zauberflöte", Wagner in Gounod’s "Faust", the double role of Eagle / Voice of Zeus in Braunfels’ "Die Vögel", Fafner in "Das Rheingold für Jung und Alt", Zuniga in "Carmen", the Farmer in "Die Kluge", Osmin in "Die Entführung aus dem Serail", Editor Berlioz / Archibald Archibaldovich in York Höller’s "Der Meister und Margarita", and Panthée in "Les Troyens".

Further roles in Cologne include Daland in "Der fliegende Holländer", Don Alfonso in "Così fan tutte", Swallow in "Peter Grimes", Angelotti in "Tosca", Tom in "Un ballo in maschera", Benoit / Alcindoro in "La Bohème", Orestes’ Guardian in "Elektra", the High Priest of Baal in "Nabucco", Zuniga in "Carmen", the bass roles in the world premiere of "Die letzten Tage der Menschheit", Ernst in the children's opera "Die Bremer Stadtmusikanten", and Sarastro in "Die Zauberflöte für Jung und Alt".

He has appeared as Swallow in "Peter Grimes" at Oper Leipzig, as the Bailiff in "Werther" at Konzerthaus Dortmund, and as Daland in the children's opera "Der fliegende Holländer" at the 2024 Bayreuth Festival. As the Colonel in Zimmermann’s "Die Soldaten", he appeared in Calixto Bieito’s production at the Cologne Philharmonie, Hamburg’s Elbphilharmonie, and the Philharmonie de Paris. He also appeared as Timur in "Turandot" at Saarländisches Staatstheater.

During the 25/26 season, he performed Fafner in "Das Rheingold", Bartolo in "Le nozze di Figaro", Timur in "Turandot", and Maeldictus Made in Elisabeth Naske’s children's opera "Der Wunschpunsch". He also performed with the Gürzenich Orchestra Chamber Orchestra in a programme of Baroque composers.

In the 26/27 season, he will appear as the Police Commissioner / Notary in Richard Strauss’ "Der Rosenkavalier", the opening production marking Cologne Opera’s return to Offenbachplatz. He will also perform Crespel in Stefan Herheim’s production of Jacques Offenbach’s "Les Contes d’Hoffmann", Fafner in Richard Wagner’s "Siegfried", part of Paul-Georg Dittrich’s new Cologne Ring cycle, and Micha in "The Bartered Bride", directed by Laurent Pelly in a co-production with Teatro Real, Opéra national de Lyon, and Théâtre Royal de La Monnaie. In addition, he will sing Sarastro in Michael Hampe’s fairy-tale production of Mozart’s "Die Zauberflöte", Seneca in Ted Huffman’s acclaimed production of Monteverdi’s "L’incoronazione di Poppea", and Sparafucile in Verdi’s "Rigoletto".

current productions with Lucas Singer

  • Festakt der Bühnen

    Blick von der Bühne in den Zuschauerraum der Oper am Offenbachplatz mit ansteigenden Sitzreihen mit hellblauen Bezügen, mehreren geschwungenen Balkonen und warmen Holzvertäfelungen.
    Detailaufnahme der markanten Holzvertäfelung im Saalinnenraum der Oper Köln am Offenbachplatz. Die Maserung des Holzes ist deutlich sichtbar und wirkt lebendig, während die warme Farbgebung dem Raum eine elegante und einladende Wirkung verleiht.
  • Hoffmanns Erzählungen

    Jacques Offenbach

    Nahaufnahme eines Mannes mittleren Alters vor schwarzem Hintergrund in warmer, cineastischer Lichtstimmung. Mit kurzem, zerzaustem braunem Haar liegt er auf einem wasserbedeckten Boden und blickt den Betrachter an. Er trägt ein weißes Hemd; Gesicht und Oberkörper spiegeln sich in der dunklen Wasserfläche. Sein erschöpfter, introvertierter Ausdruck vermittelt Rückblick, Sehnsucht und innere Zerrissenheit. Die Szene erinnert an Hoffmann aus Jacques Offenbachs Hoffmanns Erzählungen.
    Abstraktes, stimmungsvolles Bild in kühlen Blau- und warmen Rosétönen: Weiche Farbverläufe und unscharfe Übergänge erzeugen eine traumartige Atmosphäre und evozieren die Welt von Hoffmanns Erzählungen von Jacques Offenbach.

    Premiere | OPER on

  • Rigoletto

    Giuseppe Verdi

    Scene from Rigoletto by Giuseppe Verdi: A group of elegantly dressed men in dark suits and tailcoats stand closely packed in front of a neoclassical architectural backdrop with columns and balustrades; their bodies lean forward, tense, as if reacting to something together.

    Revival | OPER on

  • Siegfried

    Richard Wagner

    Close-up of a young man in cinematic lighting. Shown in right-facing profile, he gazes into the distance with a vigilant and determined expression. His silvery-blond hair is swept back, while multiple earrings add a modern, subtly rebellious edge. Cool blue and violet light shapes his luminous skin and accentuates the contours of his face. The dark background enhances the dramatic effect. A contemporary interpretation of Siegfried from Richard Wagner’s opera Siegfried.
    Abstract, atmospheric image in cool, blending tones of blue, violet, and deep red. The soft transitions create a calm yet mysterious atmosphere. The color composition appears deep and layered, with a dark, nearly black edge that subtly brightens toward the center. Overall, the image conveys a dense, dramatic mood, evoking night, tension, and inner strength, and reflectively capturing the mythical, intense world of Richard Wagner’s opera Siegfried.

    Premiere | OPER on

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