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Regina
Richter

current productions
Portrait of Regina Richter. The mezzo-soprano sits with her hands loosely folded and looks into the camera with a gentle smile. She wears a sleeveless white dress with a subtly patterned back panel. Her dark hair is styled in a loose bun. The background is light blue and uncluttered.

vita

Mezzo-soprano Regina Richter completed her training at the University of Music and Performing Arts Munich under Daphne Evangelatos. Early performances brought her roles such as Ruggiero in Handel's “Alcina,” Dorabella in “Così fan tutte,” the Flower Maiden in “Parsifal” under James Levine, and Sesto in Handel's “Giulio Cesare in Egitto” under René Jacobs.

She has been a member of the Cologne Opera ensemble since the 02/03 season. Cologne opera audiences know her as Octavian in “Der Rosenkavalier,” Fragoletto in Offenbach's “Die Banditen,” in the title role of “La Cenerentola,” as Rosina in “Il barbiere di Siviglia,” Prince Orlofsky in “Die Fledermaus,” and as Hansel in “Hänsel and Gretel.” As part of the Cologne Opera's guest performance in China, she appeared at the Shanghai Grand Theatre in 2010 as Wellgunde in “Das Rheingold” and “Götterdämmerung” and as Waltraute in “Die Walküre.”

In previous seasons, she has been heard at the Cologne Opera in roles including Jenny in Kurt Weill's “Aufstieg und Fall der Stadt Mahagonny,” Adalgisa in “Norma,” the Composer in “Ariadne auf Naxos,” Cherubino in “Le nozze di Figaro,” Sesto in “La clemenza di Tito,” Ruggiero in “Alcina,” Giovanna Seymour in “Anna Bolena,” Donna Elvira in “Don Giovanni,” Siebel in Gounod's “Faust,” Lucienne in “Die tote Stadt,” Behemoth in “Der Meister und Margarita,” Second Fairy in “Rusalka,” and Second Lady in “Die Zauberflöte.”

Regina Richter has performed with numerous orchestras, including the Munich Symphony Orchestra, the Al Ayre Espagnol Orchestra, and the WDR Radio Symphony Orchestra.

Since the 22/23 season, she has appeared in Cologne as Nireno in “Giulio Cesare in Egitto,” Second Lady in “Die Zauberflöte,” Alisa in “Lucia di Lammermoor,” Gianetta in “L'elisir d'amore,” Margaret Hennessy in “The Strangers,” Marthe Schwerdtlein in “Faust,” Frau Gast in the children's opera “Pünktchen und Anton,” Second Maid in “Elektra,” and Mercédès in “Carmen.” In the current Cologne Ring cycle, she appeared as Wellgunde in “Das Rheingold” and Waltraute in “Die Walküre” at the Staatenhaus.

In the 25/26 season, she will appear at the Opera House on Offenbachplatz as Giovanna in “Rigoletto”, the Lady-in-Waiting in “Macbeth”, the Second Lady in “Die Zauberflöte”, and the Second Wood Sprite in “Rusalka”.

current productions with Regina Richter

  • Festakt der Bühnen

    Blick von der Bühne in den Zuschauerraum der Oper am Offenbachplatz mit ansteigenden Sitzreihen mit hellblauen Bezügen, mehreren geschwungenen Balkonen und warmen Holzvertäfelungen.
    Detailaufnahme der markanten Holzvertäfelung im Saalinnenraum der Oper Köln am Offenbachplatz. Die Maserung des Holzes ist deutlich sichtbar und wirkt lebendig, während die warme Farbgebung dem Raum eine elegante und einladende Wirkung verleiht.
  • Macbeth

    Abstract, atmospheric image in warm shades of orange, red, and deep violet. Soft color gradients create a dense, shimmering atmosphere without recognizable forms. The composition feels glowing and intense, with darker edges and a subtly illuminated center. The result is a dramatic, tension-filled mood that evokes heat, unrest, and an underlying sense of threat. An associative reflection of the dark, psychologically charged world of Giuseppe Verdi’s opera Macbeth.
    Abstract, atmospheric image in warm, blending tones of orange, red, and deep violet. The soft transitions create a dense, almost shimmering atmosphere without discernible forms. The color composition appears intense and glowing, with darker areas at the edges and a slightly brightened center. Overall, the image conveys a dramatic, tension-filled mood, evoking heat, unrest, and an underlying sense of threat, and reflectively capturing the dark, psychologically charged world of Giuseppe Verdi’s opera Macbeth.

    Premiere | OPER on

  • Rigoletto

    Giuseppe Verdi

    Scene from Rigoletto by Giuseppe Verdi: A group of elegantly dressed men in dark suits and tailcoats stand closely packed in front of a neoclassical architectural backdrop with columns and balustrades; their bodies lean forward, tense, as if reacting to something together.

    Revival | OPER on

  • Rusalka

    Antonín Dvořák

    A female performer as the Water Nymph from Rusalka by Antonín Dvořák lies curled on her side on a tilted, white metal bed frame. She wears a light, sleeveless costume in soft tones. The stage is dimly lit with cool, bluish hues, and curved, wave-like structures rise in the background, evoking an underwater atmosphere. The scene appears quiet, dreamlike, and slightly surreal.

    Revival | MUSIKTHEATER on

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