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StageVibes: Der Rosenkavalier – When Status Protects

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What happens when power meets desire? Who gets to decide for whom – and what happens when social roles begin to shift?

In the first episode of our second season, we dive into Richard Strauss’s DER ROSENKAVALIER – an opera about love, status, dependence and the question of who really calls the shots. We talk about power and its abuse, social roles, and why so much of what unfolds on the opera stage feels strikingly close to our lives today.

We also explore an unusual perspective on DER ROSENKAVALIER: What happens when film meets opera? Cameras, projections and cinematic imagery change how we see the characters and their story. Marie-Ève Signeyrole’s production plays with the boundaries between film and reality, performance and real life.

And then there is the opera house itself: After years of renovation, DER ROSENKAVALIER opens the programme at Offenbachplatz. We look at how the architecture, spaces and stage technology become part of the production – and what the reopened house has to say for itself.

Our podcast team is right in the thick of it: The young adults talk to people behind the production, gather personal impressions and unexpected perspectives, and take you behind the scenes of this special premiere.

An episode about power, desire and dependence – about film on the opera stage and an opera house that becomes a stage in its own right.

Tune in now and experience the vibes of Oper Köln.

Podcast-Team

Anahita Behmanesch, Martino Codognotto, Tim Fuchs, Melina Mielke, Nava Najafi, Maja Niepolt, Basia Noll, Elisa Rübo, Nora Scheibler, Theresa Schmitz, Barbara Vierling

Editing and production

Anna Mangold (Oper.Stadt.Schule), Stephanie Sonnenschein (Head of Oper.Stadt.Schule), Christine Sonntag (Sendeeinheit) and Sebastian Sonntag (Sendeeinheit)

Cast from the opera

Volker Rhein, Marie-Ève Signeyrole, Patrick Zielke and the entire team behind DER ROSENKAVALIER at Oper Köln

Der Rosenkavalier

Love, intrigue and the passing of time – discover Richard Strauss’s masterpiece in Marie-Ève Signeyrole’s production.

Close-up against a red background with warm, cinematic lighting. At the center stands an androgynous-looking person with short, auburn hair styled in soft finger waves in a dark jacket. Their blue eyes gaze calmly toward the viewer, serious expression appearing thoughtful. In the right foreground, a blonde person with a braid and a light-colored blazer is visible out of focus. Their hand rests gently on the central figure’s cheek. The intimate closeness evokes The Knight of the Rose by Richard Strauss.

Events and tickets

  • Richard Strauss
    06:00 PM to Gastspiel Oper

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Supporters

Produced by Sendeeinheit
Supported by Cologne Opera Board of Trustees