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Emily
Hindrichs

current productions
Soprano Emily Hindrichs sits behind a light wooden chair, resting her arms on the backrest. She smiles warmly at the camera. Her long, wavy brown hair falls over her shoulders. She is wearing a dark dress, distinctive earrings, and a wide bracelet. Set against a light blue background, the portrait has a friendly, relaxed, and professional appearance.

vita

Soprano Emily Hindrichs, born in New Orleans, USA, studied at the University of Southern Mississippi, the University of Exeter, and the New England Conservatory. She was then a member of the Seattle Opera's Young Artist Program. She has won numerous competitions, including the Sullivan Foundation Award and the Washington International Competition, and has also won the Les Azuriales Opera Competition in France and the Metropolitan Opera National Council Competition. As a member of the ensemble at the Badisches Staatstheater Karlsruhe, the soprano has performed roles including the Queen of the Night in "Die Zauberflöte", Oscar in "Un ballo in maschera", Le Feu in "L'enfant et les sortilèges", and the title role in Stravinsky's "Le Rossignol". Debuts as Micaëla in "Carmen", Anne Trulove in "The Rake's Progress", and Konstanze in "Die Entführung aus dem Serail" took her to the Opéra Théâtre de Saint-Étienne and the Connecticut Early Music Festival, among others. She also made guest appearances at the Komische Oper Berlin, the Aalto Music Theater Essen, and numerous other stages as the much sought-after Queen of the Night in "Die Zauberflöte". In the fall of 2019, she enjoyed particular success at the German National Theater Weimar as Elsa in Paul Dessau's "Lancelot".

In the 15/16 season, she moved from the Badisches Staatstheater Karlsruhe to the Cologne Opera ensemble, where she has appeared as Teresa in "Benvenuto Cellini", Musetta in "La Bohème", Adela in the world premiere of Liza Lim's "Tree of Codes", 1st Flower Maiden in "Parsifal", Nannetta in "Falstaff", several roles in the German premiere of Johannes Maria Staud's "Die Antilope", Susanna in "Le nozze di Figaro", Elisetta in Cimarosa's "Il matrimonio segreto", Wanda in Offenbach's "La Grande-Duchesse de Gérolstein", First Elf in "Rusalka", Rose Maurrant in Kurt Weill's "Street Scene", and the Queen of the Night in "Die Zauberflöte". A particular highlight of her work at the Cologne Opera in 2018 was her interpretation of Marie in Bernd Alois Zimmermann's "Die Soldaten".

In 21/22, she made her role debut as Marguerite in "Faust" at the Cologne Opera and the Royal Danish Opera in Copenhagen, as Clémence in Kaija Saariajos "L’amour de loin" at the Cologne Opera, a role debut as Olympia in Barrie Kosky's "Les Contes d'Hoffmann" at the Komische Oper Berlin, and the world premiere of Liza Lim's "Annunciation Triptych" with the WDR Symphony Orchestra conducted by Cristian Măcelaru.

The 22/23 season brought role debuts as the Infanta in Zemlinsky's "Der Zwerg", Anna in Katie Mitchell's "Miranda", and May in the world premiere of Arnaud Petit's "La bête dans la jungle". In the summer of 2023, she appeared at the Festival d'Aix-en-Provence as Lover/Composer in the world premiere production of George Benjamin's "Picture a day like this".

23/24 brought a return to Marie in "Die Soldaten" in a new touring production by director Calixto Bieito at the Kölner Philharmonie, the Elbphilharmonie Hamburg, and the Philharmonie de Paris, the world premiere of Frank Pesci's "The Strangers", and a role debut as Elettra in "Idomeneo" and again as Marguerite in "Faust".

In the 24/25 season, she made her debut as Donna Anna in "Don Giovanni", as the fifth maid in "Elektra", as Musetta in "La Bohème", and as Soprano A in the world premiere of Philippe Manoury's "Die letzten Tage der Menschheit". She also made her house debut at the Semperoper Dresden as Teresa in "Benvenuto Cellini".

In the 25/26 season, Hindrichs appeared at the Cologne Opera as Freia in "Das Rheingold", Gretel in "Hänsel und Gretel", Contessa Almaviva in "Le Nozze di Figaro", Helmwige in "Die Walküre", and Lover 2/Composer in George Benjamin's "Picture a Day Like This".

In the 2026/27 season, she will appear as Antonia / Giulietta in Stefan Herheim’s production of Jacques Offenbach’s "The Tales of Hoffmann".

She will also perform the role of Rachel in Hans Werner Henze’s "La Piccola Cubana", presented in celebration of the composer’s 100th birthday, and appear as First Elf in Dvořák’s "Rusalka" in Nadja Loschky’s production. In addition, she will sing Gilda in Giuseppe Verdi’s "Rigoletto" and Eliza Doolittle in Dietrich Hilsdorf’s production of Frederick Loewe’s musical "My Fair Lady".

current productions with Emily Hindrichs

  • Festakt der Bühnen

    Blick von der Bühne in den Zuschauerraum der Oper am Offenbachplatz mit ansteigenden Sitzreihen mit hellblauen Bezügen, mehreren geschwungenen Balkonen und warmen Holzvertäfelungen.
    Detailaufnahme der markanten Holzvertäfelung im Saalinnenraum der Oper Köln am Offenbachplatz. Die Maserung des Holzes ist deutlich sichtbar und wirkt lebendig, während die warme Farbgebung dem Raum eine elegante und einladende Wirkung verleiht.
  • Hoffmanns Erzählungen

    Jacques Offenbach

    Nahaufnahme eines Mannes mittleren Alters vor schwarzem Hintergrund in warmer, cineastischer Lichtstimmung. Mit kurzem, zerzaustem braunem Haar liegt er auf einem wasserbedeckten Boden und blickt den Betrachter an. Er trägt ein weißes Hemd; Gesicht und Oberkörper spiegeln sich in der dunklen Wasserfläche. Sein erschöpfter, introvertierter Ausdruck vermittelt Rückblick, Sehnsucht und innere Zerrissenheit. Die Szene erinnert an Hoffmann aus Jacques Offenbachs Hoffmanns Erzählungen.
    Abstraktes, stimmungsvolles Bild in kühlen Blau- und warmen Rosétönen: Weiche Farbverläufe und unscharfe Übergänge erzeugen eine traumartige Atmosphäre und evozieren die Welt von Hoffmanns Erzählungen von Jacques Offenbach.

    Premiere | OPER on

  • My Fair Lady

    Frederick Loewe

    Scene from My Fair Lady by Frederick Loewe: On a Covent Garden flower market street set, three performers in period costume are surrounded by falling petals. An older man in coat, scarf, and cap tosses flowers into the air. In the foreground, Eliza Doolittle kneels in a long dress, holding white roses and looking up joyfully. Beside her, a young man in a dark coat and cap kneels with flowers in hand, gazing at her. The scene conveys the lively, festive atmosphere of a bustling flower market.

    Revival | MUSICAL on

  • Rigoletto

    Giuseppe Verdi

    Scene from Rigoletto by Giuseppe Verdi: A group of elegantly dressed men in dark suits and tailcoats stand closely packed in front of a neoclassical architectural backdrop with columns and balustrades; their bodies lean forward, tense, as if reacting to something together.

    Revival | OPER on

  • Rusalka

    Antonín Dvořák

    A female performer as the Water Nymph from Rusalka by Antonín Dvořák lies curled on her side on a tilted, white metal bed frame. She wears a light, sleeveless costume in soft tones. The stage is dimly lit with cool, bluish hues, and curved, wave-like structures rise in the background, evoking an underwater atmosphere. The scene appears quiet, dreamlike, and slightly surreal.

    Revival | MUSIKTHEATER on

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