Insik Choi
Vita
The South Korean baritone studied singing with Kwangdong Kim at Yonsei University in Seoul. During his studies, he took part in several masterclasses with Helmut Deutsch, Hong Hye Kyung and Samuel Youn, among others. In March 2015, he was also among the finalists in the JoongAng Music Concours competition.
Insik Choi has already appeared on opera stages in South Korea in roles including Conte Almaviva in Mozart's „Le nozze di Figaro“, Marcello in Puccini's „La Bohème“ and the Mandarin in „Turandot“, among others. In summer 2018, he took third place at the Ópera de Tenerife international singing competition and also won the audience prize. In 2023, Insik Choi won first prize and the audience prize at the Vincerò World Singing Competition in Verona.
From 2015 to 2017, he was a member of the International Opera Studio at Cologne Opera, and has been a member of the Cologne Opera ensemble since the start of the 2017-18 season. He made his house debut as the Chamberlain in Stravinsky's „The Nightingale“, followed by his interpretation of Prince Tarquinius in Benjamin Britten's „The Rape of Lucretia“. Other roles include the title role in Purcell's „King Arthur“, several roles in „Die Heinzelmännchen zu Köln“, the King in Orff's „Die Kluge“, the Phantom in „Hoffmann's Tales for Children“, Marcello in „La Bohème“, Don Fernando in „Fidelio“, Baron Douphol in „La Traviata“, Monsieur de Brétigny in Jules Massenet's „Manon“, Heger in „Rusalka“, Orphée / Violin Teacher in „Je suis Jacques“ and the Mandarin in „Turandot“.
His recent roles in Cologne have included Wotan in „Der Ring des Nibelungen für Jung und Alt“, also as part of the Cologne Opera's guest performance in South Korea, Wiedehopf in Braunfels' „Die Vögel“, Der König in „Die Kluge“, Der Heger in „Rusalka“, Escamillo in „Carmen“, Chorèbe in „Les Troyens“, Marcello in „La Bohème“, Lord Enrico Ashton in „Lucia di Lammermoor“, The One-Eyed Man in „Die Frau ohne Schatten“, Orest in „Elektra“, Marcello in „La Bohème“, Belcore in „L’elisir d’amore“ and Zurga in „Les pêcheurs de perles“. He also took on this role in a concert performance with the Antonio Vivaldi Orchestra in Italy. At the Korean National Opera, he sang Frank in „Die tote Stadt“.
During the 2025–26 season, Insik Choi will sing the roles of Lescaut in „Manon Lescaut“, Peter/Besenbinder in „Hänsel und Gretel“, Don Carlos in „Ernani“ and Ping in „Turandot“ at the Cologne Opera.
Upcoming productions with: Insik Choi
All events with Insik Choi
April 2026
May 2026
Please note: This performance has been rescheduled from 30 May to 31 May 2026.
June 2026
September 2026
Curtain up: The festive reopening
October 2026
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
November 2026
Premiere
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
December 2026
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
January 2027
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
February 2027
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
April 2027
Premiere
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
May 2027
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
June 2027
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
July 2027
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
You can access the subscription presale here. Individual ticket sales start on 4 May 2026.
September 2025
Premiere
Introduction 30 minutes prior to the performance.
October 2025
Introduction 30 minutes prior to the performance.
Introduction 30 minutes prior to the performance.
Introduction 30 minutes prior to the performance.
November 2025
With the awarding of the Offenbach Prize
