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                              1. Home
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                              4. Productions 2026-2027
                              Programme

                              Programme

                              Programme Productions
                              • Close-up of two people against an intense red background with a cinematic look and warm lighting: At the center stands an androgynous-looking person with short, reddish-brown hair, carefully styled in finger waves. The persons blue eyes gaze calmly and directly forward toward the viewer. The face is softly lit, the skin appears smooth and even, and their expression is serious, almost contemplative. The person is wearing a simple, dark jacket that emphasizes the clean, understated appearance.
On the right in the foreground, a second, very feminine-presenting person with blonde hair tied back in a braid is only partially visible – out of focus, with the back to the camera. She is wearing a light beige blazer that falls softly and accentuates her silhouette. Her hand rests gently on the central figure’s cheek, with her fingertips touching the face with care. An intimate, charged closeness emerges between them. The scene evokes characters from the opera The Knight of the Rose by Richard Strauss, including the Marschallin and either Octavian and Sophie, with the exact interpretation intentionally left open.
                                Abstract mood image with soft color gradients in warm beige, rosé, and deep red tones. The colors blend gently into one another, creating a calm, atmospheric visual impression with a warm light quality. The image reflects the color palette of the premiere motif of Der Rosenkavalier and conveys an elegant, slightly melancholic mood.
                                Premiere on 27.09.2026
                                Der Rosenkavalier
                                Richard Strauss
                              • Scene from Rigoletto by Giuseppe Verdi: A group of elegantly dressed men in dark suits and tailcoats stand closely packed in front of a neoclassical architectural backdrop with columns and balustrades; their bodies lean forward, tense, as if reacting to something together.
                                Resumption on 03.10.2026
                                Rigoletto
                                Giuseppe Verdi
                              • Illustration of King Detlef from the opera “Der König verschenkt was” by Philipp Matthias Kaufmann, drawn by Tim Stadie: a stylized, comic-like line figure with a crown and two curls, a moustache and boots, appearing friendly and presenting a small ball in his raised left hand; beside him is a simply sketched castle with towers, set against a soft gradient background.
                                World premiere | Children’s opera on 10.10.2026
                                Der König verschenkt was
                                Philipp Matthias Kaufmann
                              • Two dancers are positioned in an intensely staged scene with a dark background and strongly focused, warm lighting that highlights their bodies in a sculptural way. In the foreground, a bare-chested dancer kneels on the floor, his torso arched backward and his arms spread wide. His head is thrown back, his mouth open – the expression suggests a scream or a moment of extreme emotional or physical tension. To his left stands a female dancer wearing a white, tightly laced corset and dark trousers. She leans forward and grasps the kneeling dancer’s arm, creating a connection between them that appears both supportive and controlling. Numerous red flower petals are scattered across the floor, forming a striking color contrast with the otherwise minimal, dark setting. The overall composition is highly expressive and physical, almost sculptural, conveying a scene of tension, surrender, or conflict between the two dancers.
                                Dance
                                Drei Meisterwerke
                              • Close-up of a young man with a cinematic look and warm lighting: With tousled blond hair and dirt-smudged skin, he gazes intensely ahead with green-blue eyes. His expression is tense and emotionally unsettled, his right hand clenched into a fist and held close to his chin. He wears a white long-sleeved shirt. The scene evokes the figure of Cain from Alessandro Scarlatti’s opera Cain and Abel.
                                Abstract, atmospheric image in warm brown and green tones: soft color gradients and blurred shapes evoke moss and natural textures, suggesting the mood of the opera Cain and Abel by Alessandro Scarlatti.
                                Premiere on 01.11.2026
                                Kain und Abel
                                Alessandro Scarlatti
                              • Resumption | Children’s opera on 03.11.2026
                                Marla, die Maifliege
                              • Several dancers in flowing motion on a stage; at the center, a duo dynamically spinning and lifting, with deliberately used motion blur, from the choreography Reversible by Annabelle Lopez Ochoa.
                                Dance
                                Reversible / Mambo 3XXI
                              • Close-up of a middle-aged man against a black background with a cinematic look and warm lighting: With short, tousled brown hair, he lies on a water-covered floor, looking toward the viewer. He wears a white shirt, and his face and upper body are reflected in the dark surface of the water. His expression appears exhausted and introspective; the scene conveys an atmosphere of reflection and inner turmoil. The scene evokes the figure of Hoffmann from Jacques Offenbach’s opera The Tales of Hoffmann.
                                Abstract, atmospheric image in cool blue and warm rose tones: soft color gradients and blurred transitions create a dreamlike mood, evoking the world of The Tales of Hoffmann by Jacques Offenbach.
                                Premiere on 28.11.2026
                                Hoffmanns Erzählungen
                                Jacques Offenbach
                              • Scene from The Magic Flute by Wolfgang Amadeus Mozart: The Queen of the Night stands on a silver crescent moon in a sparkling dark gown, set against a radiant, star-like backdrop; her presence appears majestic and powerful.
                                Resumption on 13.12.2026
                                Die Zauberflöte
                                Wolfgang Amadeus Mozart
                              • Illustration of a smiling woman representing Trude Herr, with short dark hair and a green outfit, in front of a red stage curtain. She stands with her arms outstretched behind the Cologne Opera House at Offenbachplatz, which is depicted in the foreground as a modern building with a glass façade. Behind the building, the towers of Cologne Cathedral rise into view. The scene resembles a theatrical staging and refers to the 2027 Divertissementchen “wat e thiater” by the stage ensemble Cäcilia Wolkenburg of the Kölner Männer-Gesang-Verein.
                                Premiere on 10.01.2027
                                Wat e Thiater
                                Bühnenspielgemeinschaft Cäcilia Wolkenburg im Kölner Männer-Gesang-Verein
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