Calendar

April

MO TU WE TH FR SA SU
01 02 03
StaatenHaus Saal 2 / 7:30 p.m. - 10:00 p.m.
TOSCA
04 05
StaatenHaus Saal 2 / 7:30 p.m. - 10:00 p.m.
TOSCA
06
StaatenHaus / 6:00 p.m. - 8:30 p.m.
Soiree mit öffentlicher Probe
07
StaatenHaus Saal 2 / 4:00 p.m. - 6:30 p.m.
TOSCA
08 09 10 11
StaatenHaus Saal 2 / 7:30 p.m. - 10:00 p.m.
TOSCA
12 13
StaatenHaus Saal 2 / 7:30 p.m. - 10:00 p.m.
TOSCA
14
StaatenHaus Saal 1 / 6:00 p.m. - 9:00 p.m.
UN BALLO IN MASCHERA
15
StaatenHaus Saal 3 / 7:00 p.m. - 8:30 p.m.
A SINGTHING
16 17
StaatenHaus Maskenstatt / 7:30 p.m. - 8:30 p.m.
Versteck Dich (nicht)
18
StaatenHaus Saal 1 / 7:30 p.m. - 10:30 p.m.
UN BALLO IN MASCHERA
19 20
StaatenHaus Saal 1 / 7:30 p.m. - 10:30 p.m.
UN BALLO IN MASCHERA
21
StaatenHaus Saal 3 / 6:00 p.m. - 7:05 p.m.
PÜNKTCHEN UND ANTON
22
StaatenHaus Maskenstatt / 7:30 p.m. - 8:30 p.m.
Versteck Dich (nicht)
23
StaatenHaus Saal 3 / 11:30 a.m. - 12:35 p.m.
PÜNKTCHEN UND ANTON
24
StaatenHaus Saal 3 / 11:30 a.m. - 12:35 p.m.
PÜNKTCHEN UND ANTON
StaatenHaus Saal 1 / 7:30 p.m. - 10:30 p.m.
UN BALLO IN MASCHERA
25
StaatenHaus Saal 3 / 11:30 a.m. - 12:35 p.m.
PÜNKTCHEN UND ANTON
StaatenHaus Saal 3 / 6:30 p.m. - 9:00 p.m.
Opernpraktischer Workshop
26
StaatenHaus Saal 3 / 11:30 a.m. - 12:35 p.m.
PÜNKTCHEN UND ANTON
StaatenHaus Saal 1 / 7:30 p.m. - 10:30 p.m.
UN BALLO IN MASCHERA
27
StaatenHaus Saal 3 / 6:00 p.m. - 7:05 p.m.
PÜNKTCHEN UND ANTON
28
StaatenHaus Maskenstatt / 10:45 a.m. - 11:15 a.m.
Whoosh
StaatenHaus Saal 3 / 11:30 a.m. - 12:35 p.m.
PÜNKTCHEN UND ANTON
StaatenHaus Saal 3 / 12:30 p.m. - 1:00 p.m.
Plausch am Bühnenrand
StaatenHaus Saal 1 / 4:00 p.m. - 7:00 p.m.
UN BALLO IN MASCHERA
29
StaatenHaus / 6:00 p.m. - 8:30 p.m.
Soiree mit öffentlicher Probe
30
Sandra Then
Sandra Then
Sandra Then
Sandra Then
Sandra Then

Wolfgang Amadeus Mozart

COSÌ FAN TUTTE

Dramma giocoso in two acts
Text by Lorenzo da Ponte

Sun /
sep 23
StaatenHaus Saal 2 / 6:00 p.m. – 9:20 p.m. / Wiederaufnahme / 15 € - 110 €

SYNOPSIS

It all starts with a bet. Prodded by the experienced Don Alfonso, Ferrando and Guglielmo want to test the fidelity of their fiancées Dorabella and Fiordiligi. So the two young men fake a call-up to war, return in disguise and then proceed to woo the other’s fiancée respectively. Soon they succumb to her powers of seduction, because "Così fan tutte" – that's how everyone (women?) does it. But now an emotional confusion unfolds. Who actually loves whom now?

It is hard to believe that Emperor Joseph II is said to have personally initiated this explosive material and that the work was premiered at Vienna's Burgtheater at the time of the French Revolution in 1790, of all times, when it demonstrates that even social institutions such as marriage are not sacrosanct.

With "Così fan tutte", Wolfgang Amadeus Mozart and his librettist Lorenzo da Ponte created a psychological experimental set-up about love, fidelity, hidden longings and disappointments that is still unparalleled today in terms of its sophistication. What begins as a seemingly cheerful game soon turns bitterly serious. Only the music dares to reveal the core of the game, bringing the true passions of the protagonists to light. But what can we learn today from this "school of lovers"? How to love? How to tame desire? Or even how (in)fidelity works? Let us surprise you! For the sensual and imaginative production by the successful director Tatjana Gürbaca returns to the repertoire of Oper Köln.

CAST AND CREATIVES

Musikalische Leitung Gábor Káli / Inszenierung Tatjana Gürbaca / Bühne & Kostüme Ingrid Erb / Licht Andreas Grüter / Chor Alfred Chen /